According to the experiences of the author, 3/2-Multichannel-audio has a huge potential for TV-documentaries. As these very often deal with visually and acousti-cally interesting places the extended possibilities to convey their acoustic "footprint" is of great value. A convincing representation of the soundfield on location (it may even be "realistic") being the obvious advantage, nevertheless Multichannel-audio enhan-ces also non-realistic teamwork with visual content. The second part of the joint workshop "Practical Surround-Sound-Production" will examine the various steps from recording on location until the final mixing stage.

Author: Camerer, Florian
Affiliation: Austrian Broadcasting Corporation
AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception (June 2001)
Paper Number: 1912
Publication Date: June 1, 2001
Subject: Surround Sound

Click to purchase paper as a non-member or you can login as an AES member to see more options.

No AES members have commented on this paper yet.

Subscribe to this discussion

To be notified of new comments on this paper you can subscribe to this RSS feed. Forum users should login to see additional options.

Start a discussion!

If you would like to start a discussion about this paper and are an AES member then you can login here:
Username:
Password:

If you are not yet an AES member and have something important to say about this paper then we urge you to join the AES today and make your voice heard. You can join online today by clicking here.